![]() ![]() Not less importantly, we now have all the same 10-bit 4:2:2 color space codecs that we have in the a7S III and a1, which of course is amazing. ![]() In comparison, the a7 III only had a 24 Megapixel sensor, so that’s a big step up for photographers.Īnd in terms of video quality, it oversamples the 7K from the sensor to 4K for a very detailed image. The Sony a7 IV features a newly developed 33 Megapixel Exmor R back-illuminated full-frame sensor, and combines it with the same Bionz XR processor we find in the higher end a7S III and the ultra-high-end Alpha 1. So the question is, what do we get in this new “basic“ model? And as it turns out quite a lot. But it seems like Sony heard our prayers: they just introduced the a7 IV – their new entry-level full-frame mirrorless camera. ![]() The a7 III ( Review) was a more budget-conscious solution for that, however, it was released three and a half years ago – which means unlike the a7S III, the a7 III has no internal 10-bit video recording capabilities, still uses the old tiny batteries, and the autofocus is lacking. In terms of their video capabilities, which is what interests us at CineD the most, the a7S and later the a7S II and a7S III ( Review | Lab Test) absolutely dominate the field.īut what if you don’t need their super low light capability, yet you want higher resolution stills images than the a7S series can deliver? Sony’s a7 series has dominated the full-frame mirrorless market for many years ever since the first camera in the line was introduced in 2013. As I got to test a pre-production camera for two days, I am happy to share my thoughts in this Sony a7 IV review below. It’s finally here! Sony just announced the new a7 IV. ![]()
0 Comments
Leave a Reply. |